Blood and Bourbon
The Central Business District
“The American Quarter—or the Central Business District, as the kine now call it—is my domain, but it is not my home. Notwithstanding its museums and arts centers, I find it a drab and lifeless place little different from the financial districts of other American cities. It is as culturally destitute as it is materially wealthy.”
“But then, perhaps that is simply the emotional bias of a very old being speaking. I have never fully grown accustomed to the presence of Americans in our city.”
—Philip Maldonato, Regent of the Central Business District
The Central Business District (the CBD) is the hub of the American commercial sector, established after the Louisiana Purchase in 1803. Once the Americans took over officially, city planners aimed to create an American commercial sector, and this district (along with its sub-district, the Warehouse District) is the result of those efforts. A pleased Prince Vidal welcomed a whole host of merchants, bankers and manufacturers into the city, and in short order their entrepreneurialism transformed the area into a bustling port. In its earlier incarnation as the Faubourg St. Mary, the “American Quarter” eventually become the city’s neus of commerce and attracted a network of banks, government buildings, private offices and warehouses, all centered around the central locus of Lafayette Square. In those days, Canal Street was the dividing line between the American and French parts of the city, and it still marks the boundary between Downtown and Uptown.
Officially, the CBD is the territory east of Claiborne Avenue to the river, bordered by Canal Street to the north, and the Ponchartrain Expressway to the south. Toward the lake is a host of modern buildings, built on an old African American neighborhood called “Back o’ Town.” (This was the location of Black Storyville, an extension of the seamiest red-light district of the day.) Prince Vidal spared little expense in bringing those desirable elements to the fore in this, “his” district, while sparing an equally small amount of expense in the crushing of those intrusions he would not tolerate. Over time, the Prince and his mortal cohorts (both known and unknown) pushed, bought and bulldozed their vision into reality. Tonight, the CBD is the site of several important structures, including City Hall and the Louisiana Superdome, host to several Super Bowls.
As important as it is, the entire CBD couldn’t possibly be the personal domain of a single vampire, but Vidal’s grip on the district certainly comes close. He allows all Kindred to move through it freely, and even grants them feeding rights here, but is otherwise stingy with how and when other vampires interact with the area. Contrary to popular belief, Vidal has a haven here—inside an office building on Lafayette known as Perdido House. Both he and his Seneschal (who also serves as the district’s Regent) are known to have free rein in the area when it comes to feeding, but prefer to make their more permanent havens in more hospitable environs elsewhere.
• Philip Maldonato (unknown clan/Lancea et Sanctum elder)
• John Polk (Ventrue/Lancea et Sanctum neonate)
• Rocco Agnello (Gangrel/Lancea et Sanctum ancilla)
• Anthony Bayole (Ventrue/Invictus neonate)
• Christopher Guilbeau (Ventrue/Unaligned neonate)
• Gwendolyn Wade (Toreador/Lancea et Sanctum neonate)
• Jocelyn Baker (Toreador/Lancea et Sanctum neonate)
• Roxanne Gerlette (Ventrue/Lancea et Sanctum neonate)
• Numerous further Kindred hold feeding rights in the district thanks to its proliferation of bars and after-evening establishments.
Locations of Note
• 2 Canal Street:
• City Hall (Elysium): This 11-story international style low-rise serves as New Orleans’ city hall and houses a labyrinth of other departments and offices that run the city’s mammoth bureaucracy. Its interior is characterized by weird yellowish lighting and a funny smell typical of the building’s age (it was originally built in 1958). The building is slated for demolition to make way for a park, but its demolition keeps being postponed.
• Confederate Museum (Elysium):
• Contemporary Arts Center (Elysium):
• Gallier Hall (Elysium):
• The Giani Building: Originally designed by New Orleans native architects Thomas Sully and Theodore Toledano, and built in 1889, the Giani Building was a staple of the Central Business Distinct for many years, the first high rise built along Canal St and a major center of business. Eventually, as the building (or rather buildings, for originally it was three separate structures) aged they fell out of use, and by the time Hurricane Katrina hit the city in 2005 it was largely abandoned, deemed too expensive and impractical with its ancient design, wiring, and other impediments. While the hurricane did no favors with the exodus it prompted from the Crescent City, the subsequent renewal brought about by the rebuilding of New Orleans eventually gave birth to plans – and funding – needed to renovate the Giani Building into something new: a combination first floor retail development and high class apartment building downtown, within walking distance to the French Quarter (a meager block away) and with amenities such as an upper deck lounge, pool, and deck. Renovation began in 2014 and finished in mid 2015.
Today the Giani Building is as much a symbol of the New Orleans that was as the New Orleans that is: a renewal of the past and a step into the future. The building boasts more than forty apartments across six floors (the first floor is exclusively retail, management, and the lobby) and caters to wealthy up-and-coming professionals that lack families (most of the units are one bedrooms) and enjoy the proximity to many of the signs and sounds of the city’s major attractions. Much of the interior was gutted during the renovation, with new wiring, piping, and ventilation installed throughout as part of a massive (and expensive) project in part funded by ‘historical preservation’ funds designed to preserve the look and feel of the city as a whole. Sharing a street corner with three major hotels, the Giani Building, once a ‘high rise’ and beacon of development, is today dwarfed by it neighbors. Despite that, it brings something that its towering peers cannot match: history and authenticity, complete with its old second story wrap around balcony for festival times. It has also, if tales are to be believed, fallen heavily under the influence of a darker force of late that brings a gravitas all her own to the luxury property.
• Harrah’s New Orleans: Upscale casino hotel. Harrah’s is a 26-story marvel with 450 rooms and suites, offering sweeping views of the city skyline and Mississippi River. Beyond the 2,100 slot machines, 90 table games, and poker room in the casino itself, numerous bars, restaurants, shopping stalls, and even a bowling alley nestle themselves in their own shadowy nooks nearby. Less spoken of, however, are the criminal elements that lurk in the casino’s back rooms, skimming off its profits and keeping things “running smoothly”. Harrah’s New Orleans is organized crime in its most tempting form, and it’s a glamorous veneer few want to see past.
• Hotel Storyville (Elysium):
• Louisiana Superdome (Elysium):
• New Orleans Civic Theater (Elysium):
• New Orleans Public Library (Elysium):
• Ogden Museum of Southern Art (Elysium):
• Orpheum Theater (Elysium):
• Perdido House: Any Kindred who has been a resident of New Orleans for any length of time has probably heard of Perdido House. The name is actually a minor misnomer, for the building is truly no house, but a 40-story office building on Lafayette Street in the middle of the downtown core. Those who know of Perdido House at all know that it (and everyone within it) is the sole purview of Prince Augusto Vidal. Most know that Vidal uses it to maintain a web of offices that house the affairs of his domain and, that on the rare occasions when one is summoned to meet with the Prince, one is typically summoned to Perdido House.
Over time, and especially of late, Perdido House has come to be the very symbol of both Vidal’s power and his ire. The hoary Ventrue has only occasionally been seen outside the building since Hurricane Katrina, and often uses it to host important Kindred functions and Sanctified rites. These occasions invariably include the public executions of Kindred criminals, and many have come to associate Perdido House (perhaps rightly so) with fear and foreboding.
• Tulane Medical Center (Elysium):
• University Hospital (Elysium):
• Whitney National Bank: Whitney National Bank is a regional community banking institution headquartered in New Orleans. Founded in 1883, it is the oldest continuously operating bank in Louisiana and a major player in the Gulf South banking industry. Whitney branches are distinguished by a characteristic clock, sometimes known as a “Whitney clock”. The distinctive clock is used by the Bank as their symbol.
• The Windsor Court: Once a beacon of old New Orleans charm and wealth, the Windsor Court Hotel has fallen on hard times of late. Several of its employees have gone missing, including its former head of security, and with the departure of long time night manager – socialite and philanthropist Gregory Smythe – combined with the array of scandals that have rocked it the famous hotel – often host to royalty, ambassadors, and heads of state – it has lost much of its prestige. Absent that, given the competitive real estate market it exists in and its relatively small footprint next to industry giants, there are many that fear the Windsor Court Hotel is not long for this world. Until that day comes, however soon it may be, the Windsor Court is an opulent and charming stay, with large and expensively furnished rooms with a distinct French inspired Creole feel in the heart of the Central Business District, only a few blocks from the French Quarter.