“Anyone else would have broken.”
Sunday night, 13 March 2016, AM
Celia: The dolls pull her under, bit by bit. Wave after wave of them, surrounding her, tripping her, pulling at her with their grabby little hands and glaring at her with their hateful little eyes. She isn’t fast enough. She’d hesitated for too long, tried too hard to bring Key to her side, thought too hard on how to fix it. She’s going under, drowning in a sea of porcelain and chiffon.
But the doll in her arms: Lucy. Grace. Diana. One of them had given everything to tell her to flee. She’ll be punished as a traitor. But Jade won’t let that happen. The dolls might get her Kindred body, but they won’t get Lucy’s. She drags sharp claws down her front from sternum to pelvis and stuffs the doll inside. A pinch of her fingers seals the wound. It’s her last action before the enemies catch her, overwhelming her in sheer numbers. Her fingers brush against the door; she’d been so close. Then they’re on her. Around her. Under her. In her.
She’s there. Then she’s not. Something shatters inside of her, a tinkling chime of porcelain and glass. It tears at her skin, her eyes, her mind.
Leilani’s gentle smile is her smile. Jade’s sneer is her sneer. Celia’s face is her face. The Beast skulks nearby, half-shrouded in shadows, red eyes smoldering in hatred. And more, the others, the dolls: Princess, with the ballet slippers and the daddy who had always loved her. Blossom, whose father had never taken a hacksaw to her mother. Lucy, with the kind eyes and patient smile, a larger part of herself than she will ever admit. And the new ones, the ones she and Elyse would have made together had things not gone so poorly, had she not learned Diana’s truth: Lacey, Daisy, Bambi, Angel, Belle, Bonita, Bellamy. Dolls that don’t exist and never will. They surround her. They pull at her. Out there, in here.
Play with us.
One of us.
Who are you?
What is its name?
And Lotus. The first, maybe the favored. Lotus watches. Lotus, with her curling black hair and her pretty face and her dress made of memories: her first kiss, first date, first time, first “I love you,” the dress she wore on the eve of her release into Kindred society, the dress she wore when she spoke to her sire for the first time during their rooftop interlude, when he had made love to her and told her that what they had was something special, the dress she wore the evening of her Embrace, when he plucked her from her childhood home and carried her into the sky and she was cold, so cold, and he trailed wintry kisses down her face and neck and sank two points of ice into her veins and drew forth the fire and blood and life from her body and her breath came out in ragged, throaty gasps and she knew without any shadow of doubt that he would drop her, kill her—
Frigid arms embrace her, cradle her against a hard chest. She looks but doesn’t see, eyes blinded by buttons. It’s not him. He’s not real. He’s a figment, imaginary like the rest of them. The nameless one.
Blood assails her senses.
“You’re killing her!”
Wind whips across her face.
“I’ll tuck you in.”
Is this how it ends? An echo of how it began?
This is how it ends.
Him tucking her in.
Because Key’s screaming and there’s blood flying from his severed fingers.
Jade doesn’t see what happens next, doesn’t see if any of the dolls lose their hands too, because she’s soaring through the night air at breakneck speed, scores of feet above the ground and climbing still higher—
Celia: The air, the cold, the movement tug at her. The buttons fall from her eyes. The nameless one beats them back with the saber at his side, cutting through the horde in unchallenged efficiency. He doesn’t need anything, she and Elyse had long ago decided, but maybe he wants something.
Maybe he wants her.
The taste of freedom dances across her tongue as the nameless one slaughters the last of them. He turns to her and extends a hand. He pulls her out.
Only it’s not the nameless one. It’s the dark one. The cold one. And he’s not a doll: he’s real. There. With her. For her.
She’s not in her mind anymore. She’s not in the house anymore. She’s soaring through the sky. In his arms. Safe.
Despite the cold, the altitude, the dread in her belly at his ire, she finds comfort in his embrace. Nothing can touch her when he has her. Nothing but him. Her sire. Cold, merciless, meticulous; his is the composure that she strives for, the the mask she had sought to don this evening.
Now, seeing it in front of her, she knows she had not come close.
Reality comes back to her in little snippets. She touches him, fingers but a whisper against his cheek, and remembers who she is.
Celia. The name. Her name. Not Jade. Not Leilani. Not Star, Neveah, Jasmine, Princess, Blossom, Lotus, Lily, Lucy, Dahlia Rose, Em, Emil, Emily, Caroline, Veronica, Antoine, the Beast, the Beauty, the Bitch, the Madonna or the Whore.
She’s Celia. Just Celia.
Celia, of the heavens. Celia, reborn from the sea. Celia, childe of Donovan, chosen for… something.
CrAaazZYyy… someone giggles.
Celia finds the anchor that she needs in front of her. Uncertainty and the remnants of humanity slip away into the night, falling like the sanguine teardrops from so long ago to splatter against the ground. She touches him and the tips of her fingers freeze. She freezes.
“Celia,” she whispers. Frozen in time. Frozen forever. This is who she is. Everything else is a mask, a lie, a part she plays like a puppet on a string, like the dancer in her chains, each move choreographed in advance by him, for him. For him.
“Donovan.” His name leaves her lips, soft as a sigh, no longer a question but an answer. She curls her fingers in his clothing and tucks her face against his chest. She comes back.
GM: Flight with her sire could last forever. Celia, more than any of her other masks, has perhaps no place she’d rather be than held aloft in his arms. They’re cold, like the rest of him, but strong and unyielding. Like the rest of him.
She can be certain here. She can know who she is here. She can know what role she is supposed to play. The good childe. The obedient childe, working always to please her sire.
She can ignore Leila’s words.
She isn’t crazy. She’s not. She’s not. He won’t allow her to be. He’ll just cut it out of her, like he cuts down anything that would threaten her.
Rain pelts against the pair as they fly. It always rains in this city. Celia’s sire is dressed in the same black, double-breasted trench in which she saw him last. Water runs does down his expressionless, marble-like face.
Their flight feels as if it ends too soon when a familiar rooftop approaches. They land atop Celia’s haven. The one close to Vidal’s border. Donovan sets her down.
Home, in more than one sense now.
Celia sees the blade extending from one of her bracers. Any blood on the edge is long since washed off by the rain. Her sire runs the flat against his palm, wiping off the excess moisture, and retracts the blade back into its sheath.
She doubts he would care if he knew what the leather was made from.
His voice seeps into her thoughts like a chill night mist.
:: Explain. ::
Celia: It ends too quickly. Here, in his arms, she could enjoy the rest of her Requiem and never want for anything else. Petty worries and troubles fade away: there’s just her, him, them, the sky, his arms, the frigid temperature. She doesn’t need to breathe but she does it anyway, taking in long, deep, shuddering gulps of air as they move through the night. She breathes him into her lungs, lets his scent fill her.
The relief at her rescue ends as soon as her feet touch the ground. She has to come back down eventually. He’s not a hero. Her hero, maybe, but not a hero.
All the same, she doesn’t step away. She doesn’t give him the space that she should. The blade he wipes clean could gut her before she has a chance to start the movement. The thought shouldn’t make her shiver as it does. But despite her apprehension she’s glad to see it put to use.
How can she explain? She lost control. She’d let him get away with hurting her mother because it’s him. No one else will be afforded that luxury. A dozen lies flit through her mind, dismissed as quickly as they occur.
She’s in trouble. She’s in so much trouble.
:: We were friends. Then she sought to destroy something that belongs to me. ::
Her eyes don’t leave his face. She refuses to drop her gaze. She will not hide from him. He can see it anyway, watch it play through her mind: her Beast slipping its leash and attacking Elyse.
She’d lost control.
She has never seen him lose control. She’d thought it had been beaten out of her, but tonight just proved that she’s no closer to mastering her Beast now than she had been years ago.
It would have been easy to say that she needed to see him anyway and orchestrated a way to do so with none the wiser. Cause problems in his parish and he’ll be sent to deal with it; who would suspect that there was anything more to it than that?
She had even told Key she was going to call the regent or Elyse’s sire. Now the ghoul will just think that she had done so while he was busy orchestrating the defense and the sheriff had whisked Jade away to mete out his own sort of justice. No one has to know it was a rescue.
GM: His icy eyes linger on hers.
Perhaps he is watching what happened.
Perhaps he is angry at her. Perhaps he is disappointed.
His face gives away nothing.
Like the nameless doll.
She could be in so much trouble, and she cannot even tell.
:: Describe how you have been of use to me since our last meeting. ::
Celia: Of course.
Coming for her had nothing to do with her. He just can’t lose his little spy. His pawn. Not even a toy; at least you play with toys.
Her Beast simmers just beneath the surface, already on edge from the multiple times it had been set free this evening. Maybe if she rakes her claws down his face he’ll finally show something resembling emotion. Had it really only been hours ago that she’d thought he’d chosen her to save him? What a laugh.
What if she says she hasn’t? What if she tells him she’s done absolutely nothing but play house with her boyfriend and fix the mortal family he ripped apart when he decided to get involved?
Finally, she looks away. She stuffs it down deep where it won’t bother her. She turns away to hide the hurt; it doesn’t matter. He doesn’t care.
:: Making allies. Gathering intel. Putting plans into motion. ::
Rain slicks down her face, flattening her hair against her scalp and cheeks. She swallows the rejection. It doesn’t matter. It shouldn’t matter. It can’t matter.
Be patient. Be patient so he can get what he wants from her and—
She stops the thought in its tracks.
:: You told me not to trust him. But you put me with him. Told me to help him. Weaken the prince, you said, so you could take the city. He says you are the frontrunner for the spot. If I continue down this path with him, will it harm your interests? ::
GM: :: No. ::
Celia: She’s silent for a beat. She sends another thought. A question phrased as a statement. Here, privately, where no one else can listen in, she requests the truth.
GM: The mental answer is the same.
:: No. ::
Celia: It’s not the answer she expected. She hadn’t even expected an answer. The picture begins to fall into place, but it’s a puzzle to which she’s missing pieces. No matter how firm a grasp she thinks she has on things there are parts that continue to elude her.
Until it clicks.
Another piece finds its home. But it brings up more questions, more uncertainty on how she should proceed, on what it means for her, for him, for them.
Celia reminds herself there is no them. Her “them” is down below waiting for her to come home, unaware that she stands twenty feet above his head, so close to the city’s sheriff that she can count the lashes on his eyes. Celia turns back to Donovan, lifting her gaze once more so she can see those same eyes that have long starred in her dreams.
One step separates them. She closes the distance and her eyes search his face, though she expects to find nothing.
Finally, she sends another message. Softer words. For all that she tries to be Celia the childe around him, not too many moments ago she was Celia the broken.
:: I have information. Plans. But I hesitate to take action without a complete picture. I will not be the reason that your goals stall. ::
There’s no one else she can talk to. For all that people say he’s a monster, he is at least the monster that she knows.
He doesn’t stand much taller than her. But this close he’s a giant. This close, when she thinks she’s finally unlocked some of the truth, when the request lingers in the back of her mind, he towers over her. He rises above mere Kindred as something other.
Nameless one. Donovan. It’s hard to keep them straight.
She reaches for him. Not because she does not respect him or the sanctity of his boundaries but because she does; because he is what she holds sacred; because she knows the power that lurks inside his mind and body; because when her fingertips brush his coat, his shoulders, his cheek it creates the tether that she needs to anchor her to reality. She knows exactly who she is.
She is his childe. She trusts him. Loves him. Needs him.
And for all that, she doesn’t know how to ask for what she wants.
GM: He’s there.
He’s not tall, as far as men go, but he’s always felt as though he is.
The rain is cold, but he is colder.
He does not touch her back with his hands. She feels his mind inside of hers, his presence chilling her thoughts like she’s stepped into a freezer. It’s as cold and dark as the rest of him. Others would recoil, but Celia does not. In her sire’s presence, she is secure. Safe. Destined for greatness.
So long as she is worthy of him.
So long as she does what he asks.
So long as she is a good childe.
He wants her to be useful because one can only be useful if they are strong. Only a childe who is strong is worthy to carry his blood. That is why he asks how she has been useful. She wants to be strong for him. She wants to be worthy of him. He wants her to be strong and worthy.
Storm clouds on the horizon. A darkening of his thoughts.
Tonight she showed she was weak.
Ruled by her emotions.
Ruled by her Beast.
Ruled by Elyse’s children, had he not saved her.
He gives her a chance still, to show she is useful. To show she is strong.
Yet bitterness and resentment still welled within her thoughts? For the mercy he now shows her? After his rescue of her?
Celia: The dark clouds of his thoughts gather, but her lightning strikes first.
There was another night where she had stared into his eyes too long. Then, he had pulled her in and showed her his Hell. Tonight she opens the door for him, throws it wide, and invites him into hers.
He fills her. Even here inside her mindscape where she rules his presence looms. But he is no king here. This watery terrain is hers, and while he gets caught up by the roiling storm on the surface—the anger, bitterness, and resentment he thinks he sees—she takes his hand and pulls him under.
Water closes over their heads. Others might think they’re drowning. Perhaps they’re meant to drown rather than swim. A strong current surges against them, half-formed monsters…
…with fins and rows of jagged teeth…
…and luminous little eyes meant to lure you in…
…made of shadow and stray thoughts surround them.
But this is her mind, her domain, and he her welcome guest. The monsters watch, wary of intruders, but keep their distance.
They go deeper.
Light disappears the deeper they go, but they are creatures of the night; when the trench looms before them, silent and dark, she does not hesitate to lead him toward it.
Here, too, the current runs strong. This time she lets it catch her and he comes along for the ride. It yanks them toward a whirlpool…
…chaos waters swirling, swirling, swirling…
…dragging them around, around, around…
…closer and closer toward the point of black in the center.
The rules of reality don’t apply here. Light bends around them. Space and time distort. He sees things whiz by in their mad descent toward the bottom of her mindscape’s ocean:
a girl in a pink dress, the hum of a ventilator, a green statue, jagged edges, rage in its eyes, a stuffed bear, the long teeth of monsters, eight candles on a chocolate cake, a bullwhip cracking through the air, perfectly painted nails, claws and fang and simmering anger, beautiful lies and ugly truths, ugly lies and beautiful truths, blueberry pancakes, questions asked a thousand times, words spoken by sealed lips, broken bones and severed tendons, mermaids, bubbles, porcelain dolls, a tiger in a gilded cage, a name carved into flesh, a bird with broken wings, the whispered words of long ago…
“I think there’s a monster under my bed”
“it’s all in your head, sweetie”
“Cici was just pretending”
“it’s all okay”
“you’ll feel better in the morning”
“who are you”
“I love you, Celia”
He wants truth?
She’ll give him truth.
He wants to know what she has done with her time?
She shows him.
A thousand fractured fragments splinter past them, some so quickly he can’t see them all. Everything she has ever done for him. Every lie she has ever told for him. Every mask she has ever worn for him. Every word, every action, every thought, all of it wrapped up in him, him, him, every waking moment, every agonized decision, every betrayal, every hurt, every scar, every drop of blood—his, it’s his, his.
Seven years of his. Seven years of serving without knowing why. Seven years of no questions, no demands, no second-guessing. He had handed her to his enemies and she had made herself a place. She had carved a niche. She had made friends, collected allies, sought the favor or mentors to further his goals, his plans, his schemes, and she has not once ever resented him for it, has not been bitter for it, and her only reason for questioning him now, the only reason she asks anything now is to avoid destroying what he has so carefully wrought these long years because now, finally, everything starts to come together.
She doesn’t want to know his secrets, but she shows him hers. She doesn’t want to see his plans, but she shows him hers. She doesn’t need the answers to her questions, but she shows him hers.
All of it.
Strong? She shows him strength. Obedient? She shows him her devotion. Good childe? She shows him the line she has walked, the masks she has worn, the ways she has bent but never broken. Every night she finds the jagged edges of herself and smooths them over. She paints in her cracks. She fills the holes that this work leaves behind.
Anyone else would have broken.
The vortex batters them from all sides. It pulls them under. It pulls them deeper. It spins them around, over, under, backwards, sideways. It thrashes them, throttles them, pummels them.
Anyone else would have broken.
Night by night, she stitches herself back together.
Anyone else would have broken.
Anyone else would have broken.
Finally, it spits them out into a small cave, the one secret piece of her that no one has ever touched, the thing that the monsters, the lies, the claws and fang all protect. Calm waters lap at their feet, and even his ice isn’t enough to chill it.
The bare rocks hold no further answers for him. There are no words etched across their surfaces that he can peruse, no pictures painted in clay or mud or blood. It’s just them, him and her, the monster and his maiden.
Celia Flores, nineteen years old, in flowing chiffon and silk that match the storm in his eyes stands before him. Waiting for him all this time. Knowing that one night he would come back for her. The girl he had dropped into the ocean has made it her home. And like the rest of the world’s waters, very little has ever been discovered about its depths.
The thing about secrets…
… is that the greatest of them are hidden in the most unlikely places…
… and to keep one, you must hide it from yourself.
It starts as a ripple in the water at their feet. No moon controls the tides here, no earth quakes beneath them, but all the same the water ebbs and flows in gentle waves against their shins. Warm, tropical, like the long ago summer sun against their skin. It stirs at her command.
He’d thought she was tapped? That these bare rocks hold no more secrets?
Oh no. She’s just beginning.
The answers aren’t written on the rocks because they reside within the water, hidden away like her cave. She wouldn’t leave them out in the open where anyone could steal them; she’s tied them to her core, to the real her hidden beneath the tons of ocean above, the guardians, the obstacles. Even the empty room is but another trap; were she not with him he would be caught here in this little cave, a prisoner inside her head, crushed beneath the weight of the water that would rush in. Intruders are drowned.
But he is no intruder. She has invited him in, and now she shows him what he has asked for.
She summons the soul.
Drops of water bead together at her urging. They coalesce, lifting, seething higher, disconnecting from the larger body around them. In vaporous rivulets they snake upward like smoke from a fire.
How could he doubt her?
Water takes so many forms.
The molecules bind. They separate, divide, amass. Hues emerge, particles of light glinting off their surfaces. He may be an achromatic creature, but she is made of color.
Wispy tendrils converge on one another, swirling together to form coherency. Translucent bubbles take shape.
Something moves in their midst.
White, it flashes through the orbs like lightning through the sky. Energy. Her energy. Little pieces of her that dance and twist and cavort. It bubbles and froths inside the spheres. Fluid, flexible, mercurial.
Seven orbs form from the waters that separate. One by one they take their place in front of her, between them. Seven orbs for seven chakras, seven memories, seven thoughts, seven plans, seven secrets.
Seven orbs for seven years.
A wave of her fingers sets them to spinning in circular orbits through the air. All he has to do is touch them to learn what’s inside.
She will show him worthy.
Every building and painted face begins with foundation. Everything has a base. So too does her vision for the future, and so too do her goals. She has spent long years building her repertoire, honing her skills, and practicing her craft. Now, she unveils it for him.
She starts with red.
The globule pulses above her hand: crimson, claret, and carnelian, currant, cherry, and carmine. A hundred shades of red reside within the confines of the rondure, bubbling and gurgling in effervescent glee.
It all comes back to red with their kind. Red is the foundation of their society. It is payment, barter, sustenance. It is love and life and family ties. Red is blood. It is what binds them together.
Red is the base. The root chakra. It ties to the physical identity of every being and oversees their base needs: security, survival, stability. Without the root there is nothing; a building without a solid foundation will crumble into pieces. Red allows her to stand on her own two feet and withstand whatever challenges come her way, but even the strongest king doesn’t rule alone.
Fitting, isn’t it, that the gemstone most associated with the root chakra is onyx.
He is her foundation. Connecting to him, touching him, it centers her. It reminds her who she is, what she is, what their goals are. She can wear a thousand masks and be a thousand things to a thousand different people, but when she is with him she knows the truth: she is Celia Adelaide Flores, childe of Donovan. Nothing else matters.
He had told her once that she has a place with him in his new order. Then, she had not understood what he meant. How could she possibly serve a god? How could she offer anything that he could not take for himself? In time it had come to her: the role he has cast her into, how she can make herself useful. And she has made herself very, very useful.
She shows him her vision: the darkened throne room, and he on the stone chair. He does not want it for himself—(he kneels, he waits, his time will come… they place a crown upon his brow… he assumes the throne, then casts the crown aside… he kneels once more)—but she puts him there on the pedestal in her mind. And beside him, with eyes that burn like green fire, she waits in leather and lace. The door opens, admitting a petitioner that bows before him and says his piece. The Donovan on the throne is silent. He does not do so much as turn to her, but when he speaks the word she knows her orders.
The Chameleon vanishes before her steps have finished carrying her from the room.
That is the place she wants in his new order. So she has set herself up to take it.
Starting with the roots.
Like the rose of her clan, she spreads her roots through the city, an interlocking system of connections that she has forged across all manner of borders. In New Orleans that tangle is the thickest; here is what matters, but their city is not an island cast adrift in the middle of the ocean. The roots reach out to other cities where she has planted seeds, each of them blossoming into little gardens of their own that she has tended over time: allies, mentors, favors, secrets, debts, and safety. Los Angeles, Houston, Chicago, Miami, DC, Seattle, Las Vegas.
All of them ripe for plucking whenever she needs a hand.
She moves on. The garden grows.
Her name has not been connected to the woman who owns the company, but she has had more than a hand in it all the same.
The thing about insects is that you don’t notice them beneath your feet until they start to bite. They scurry, scurry, scurry through your house and learn your patterns; they catch you with your mistress, watch you do lines of coke before your big meeting, know exactly where and how deep the bodies are buried.
Kindred and kine alike, she has been inside their havens and theirs homes. She has seen their dirty laundry and the skeletons in their closets. Silently, she observes it all.
Bugs catch everything.
She moves on. The garden grows.
In nature, many plants and animals form symbiotic relationships. Some of them are parasitic, where one organism benefits and the other is actively harmed. Some are commensalism, where one organism benefits and the other is neither harmed nor helped.
And some are mutualism, where both organisms benefit.
Star and Stanley both benefit from their arrangement: he gets a hot Latina lover on the side, and she gets to see every single bit of paperwork that passes his desk and overhear every single conversation that takes place in his office. She sees their faces. She hears their stories. She learns their secrets.
And when she wants something looked into she uses him as her intermediary so that her hands stay clean.
She moves on. The garden grows.
Dolls are funny things, aren’t they? Cute. Feminine. They wear what you put them in, stand how you arrange their limbs, smile contentedly even when they witness horrible atrocities.
They see everything. They hear everything. And when they’re living, breathing, things and can move of their own volition they get into even more. They travel in their little boxes, far and wide across the country, but some of them find homes right here in the city.
The little girl shows him her dolls.
“This one is Sunshine. Her father didn’t think she was very bright, so we gave her a name to make her shine. Now she’s married to a political consultant and takes notes at all the meetings.”
“This one is Jewel. She cheated on her husband, so he sent her to us for refining. One of her sons works in media, and the other is a real estate attorney.
“This one is Chastity.” The little girl giggles. “She’s a secret from the mother. Her aunt wanted her to join the family business, and now she makes bank on her back.”
“And this one is Bree. She’s not like the others. She inherited an arms dealership and her daddy just wanted to make sure that she wouldn’t blow up the world in a fit of feminine rage. Girls can be silly like that.”
She moves on. The garden grows.
The foundation has been set. The roots have taken hold. Now that the web has been spun by the spider, she shows him the flies that she has caught.
Once upon a time, the story goes, a singer loved a sculptor and asked him to be hers for eternity. The sculptor was taken by the singer and agreed to her request. But the singer was a fickle sort, and soon her interest waned. The sculptor spent long years vying for her attention before he finally gave up and walked into the sun.
But everyone knows that the Beast won’t let their kind take that sort of easy out.
Wounded, the sculptor left the city. His abandoned clan thought he had been destroyed. But he was only waiting, biding his time to avenge himself upon the singer who so callously threw him aside. One night he met another sculptor, one who deals with flesh instead of marble, and the two sculptors devised a way that they could help each other.
She moves on.
“The thing about kine politics,” Celia explains to a girl whose face is in the process of being transformed, “is that every Kindred wants a piece. They know that ruling the kine can make for a better Requiem. And while Marcel and Marguerite may have years of experience on me, while they can sit back in their plush offices and consult to their heart’s content, I have one thing that they don’t: I can get in on the ground level.”
“To charm them, mistress?”
“No, ‘Lana, not the way you’re thinking. I don’t need the gifts of my clan to wrap someone around my finger.” She adds the finishing touches to the look and steps back, admiring her work. “And the mental and emotional tricks are too heavy-handed to use like that. Start blasting everyone with it and rivals or hunters are sure to come knocking.”
“And tonight, mistress?”
“Tonight,” Celia says as she begins the work on her own face, “we are two pretty co-eds who are oh-so-interested in what Mr. Coxx has to say, and pretty please won’t he take us back to his room and show us a good time.”
Back in the cave, Celia stands in front of him. A single sphere remains unviewed; it pulses and throbs in hues of green, a veritable forest teeming with life and plants.
Green, for the heart. It’s the middle chakra but she saved it for last, and she sends it to him now with a flick of her fingers.
“They say that this one bridges the distance between above and below, spiritual and physical.” Her voice is liquid, it ebbs and wanes as the tide, at once both ancient and innocent. “It’s the ability to connect to others, to give and receive love, to show empathy.”
She will be his bridge. She will touch the people he cannot touch, break them with compassion just as easily as he breaks them with cruelty. She has done it before. She knows how the game is played.
She presents this final creation.
She shows him the bridge that she has already built and the plants that teem along it: the lilies, the crocuses, the violets on their lines of ivy that wind and stretch around every baluster and blanket the space between in floral fragrance. Small things yet, still being tended by the girl who planted the garden and built the bridge with her own two hands; many of them have begun to bear the fruits of her labor, but she would not yet call them “finished.” Some are still just empty stalks, waiting for the right conditions with which to flourish.
Except for two.
There are two here that she wants to show him. Two that have grown larger than all the rest. Two that have flourished under her careful cultivation and can now be harvested as desired. One has heart-shaped blossoms that dangle from slender, arching stems, interspersed with delicate and fernlike foliage that creates the perfect backdrop to the flowers. The other is taller, willowy, with six lobes that fan outward from the center stalk. A common garden plant, no one notices what hides within the petals.
The iris and the bleeding heart have bloomed.
The heartstone is Jade.
The colorful orbs fade. The bubbles pop. Surface tension that had once held the warbling globules together dissipates; teardrops rain from the seven spheres to splash into the water at their feet. It ripples outward in ever-expanding concentric circles before crashing into the edges of the pool.
Tonight she was weak. She doesn’t deny that. Tonight she lost control. Tonight she needed him like she has not before, and the resentment and bitterness he felt coming off of her was not for him; it was for her own failings. For seven long years she has not needed him to hold her hand and guide her through her Requiem. She has been content to make her own way, forge her own alliances, collect her own friends. But tonight, yes, tonight she needed him.
And he came.
How her heart had rejoiced when she emerged from the prison in her mind to find herself in his arms. How could she say that, though? How could she tell him the words etched across her heart and soul, how could she explain that he means everything to her and that letting him see her like this is just another punch in the gut after an evening of abysmal disappointments?
She has only ever wanted to be worthy.
Even now the the events of the night spin through her mind. How she can explain what happened to Elyse. How he can secure the position of cold-hearted, merciless sheriff and prevent anyone from ever knowing that he had saved her. How they can twist a setback into a victory.
She sees it so clearly in her mind: he wakes Elyse, binding her to him, and tells her that Jade Kalani has been apprehended and punished. He tells her that already he has taken a dive inside her mind to see the events of the evening, and that Miss Kalani’s consciousness had unraveled to reveal the truth: she had been given a deeply submerged directive by an enemy of Elyse, the Invictus, the Sanctified, Donovan, or the prince himself. Torpor Elyse so that the enemy can take her place. Torpor Elyse so that it looks like the first shots fired from the lord of the Quarter. Torpor Elyse for personal reasons. It could have been Sabbat. It could have been Tremere. It could have been a Ventrue, and the blue-eyed blonde flashes through her mind; Elyse was a target because of where she lives. The four-toed, raven-haired zealot flashes through her mind; Elyse was a target because of what she had done to Diana, for all she hates the woman. Or it could have been another: A new night doctor who has heard of Jade’s abilities and sought to sour their relations and remove the competition. A Nosferatu who has picked up tricks outside their clan and thought it would be hilarious to watch the two beauty-obsessed Kindred in the city tear each other apart; after all, she made such a decidedly easy target when she wandered so willingly into their sewers and night club. Jade will smooth over the relationship from there and retain her position with Elyse to keep her network secure.
She has only ever wanted his attention.
But not like this. Not this cold fury. Not this dissection of her person and purpose. She wants what Roderick has: she wants to learn. She wants him to show her. Centuries; he has had centuries to hone his skills, and she just wants a small portion of what he can offer. An hour of his time without demands for answers and information and plots and plans and schemes. Just him. Her. Together.
She has only ever wanted him.
Barefoot in the water, Celia Flores lifts her gaze to her sire’s. Darkness swims in the depths of her brown eyes; his storm gathers within her.
GM: Celia dives, and her sire follows under.
He is well at home among the monsters. She’s seen the inside of his mind, after all. He follows the current. He does not need to fight it or to confront its monsters. He has nothing to prove.
He waits, patiently, at her demonstrations of filial loyalty.
He does not reply aloud. There is no need to speak in this place.
But Celia knows.
He told her that she had a place at his side. She did. As a mole and agent by his own sire’s side. If she desired a greater place than that, it was incumbent upon her to envision and incumbent upon her to seize. Competence cannot be bequeathed. Initiative cannot be bequeathed. Vision cannot be bequeathed. Even his own sire, for all his charming veneer, has not declared that he wishes Celia to be his spymaster: others cannot realize one’s ambitions for them. Some Kindred have ambitions and some do not. Some Kindred aspire only to exist from night to night, used by their elders purely as tools, and others aspire to be more.
He believes, now, that she aspires to be more.
Is he pleased?
Even here, so deep within her mind, he shows so little of himself. No warmth radiates from his thoughts. No smile creases his features. But he would not be the same Kindred if he did. Perhaps Celia would not have brought him here if she thought he was capable of such. He is who he is.
There is a place for one who plants gardens and plucks their fruits.
There is a place for one who can become as an insect.
There is a place for a mutualist organism.
There is a place for a dollmaker.
There is a place for a sculptor of flesh.
There is a place for the pretty co-ed.
There is a place for the chakra opener.
There is a place for one who would be his bridge.
There is a place for one who would wear all of these faces and many more.
There is a place for one who would be his spymaster.
There is a place for one whose identity is what she needs it to be.
There is a place for one who would be more than simply a mole.
There is a place for the Chameleon.
He had but waited for her to claim that place. He could not do it for her.
His storm gathers within her, then about her, and she knows its frigid kiss.
Celia: The storm crashes against her. It does not rage for he does not rage; it consumes. It consumes everything in its path and would sweep her along with it, but the mental projection inside her mindscape is a maiden in the monster’s arms; it has long been her safe harbor.
She welcomes the frigid touch of ice and wind and rain against her skin.
She welcomes what it means for her. For them. And for their city.
She gives herself to the storm.
GM: She gives herself to him. His wintry and all-consumptive kiss freezes out all lesser sensations, but is all-too brief.
He is pleased she would be more than a mole.
He is pleased she harbors ambitions for greater things.
But her lapse of control was a weakness.
Weakness must be punished.
Weakness must be purged.
He punishes so that she may improve.
He purges so that she may be all she aspires to be.
She will accept her punishment if she loves him.
He offers her a choice: physical chastisement or a third draught of his blood.
Celia: It’s always too brief with him. Every moment that she has with him ends too quickly, and tonight she will not push for more. Tonight, despite what she has shown him, despite his pleasure with her shared ambition, she knows that she made a mistake and that she must pay for it.
The choice he presents isn’t a difficult one.
She will not shy from her sire’s lessons. She will fix this. She will show him that she will not make the mistake again, that she accepts his judgment and her place. The physical chastisement will correct her behavior and the blood will make sure it never happens again.
Both, she tells him. She will take both.
GM: Reality dissolves around the pair as Celia’s sire withdraws his tendrils from her mind. They’re back on the roof of her haven, rain pouring down around them. Celia is soaked to the bone under her wet clothes. She’s not sure how long they were in there for.
Then, her sire hits her.
The attack comes without warning. His rain-slick fist smashes into her mouth, splitting her lip, crunching her jawbone, sending teeth flying. Celia’s knocked off her feet from the force of the blow. Her ears ring. Her Beast, furious, howls to counterattack.
This is love.
Her sire’s booted foot stomps down on her hand, noisily crunching delicate finger bones, cracking apart her perfect nails.
He lifts it, then stomps down again. Her wrist audibly snaps against the roof.
He yanks her up by her hair. For all the struggles of her Beast, its instinctive urge to flee or fight when confronted with pain, Celia forces it down.
This is love.
His pale fingers reach inside her mouth. Squeeze. Wrench. There’s a burst of pain as her jaw breaks from the force. It dangles almost limply from her head. She can’t close her mouth right. He must have snapped her mandible. Jaw’s weakest point.
This is love.
He takes hold of her lower jaw with his other hand. Shifts position, so they’re at opposite points. Squeezes. Celia feels her lower teeth press against his palms as he squeezes, squeezes, squeezes. She can all but hear the cracks running through her jaw before the bone crunchily fractures again, at two equidistant points under his palms. The pain is horrific. There’s blood, red and coppery, but not a lot. He isn’t cutting her. Her lower face is a ruin.
This is love.
It goes on for a while. Celia thinks he draws it out. He isn’t trying to kill her, just inflict pain. There are so many nonessential bones one can break. So many more that are nonessential to the undead.
This is love.
She hurts, everywhere, as the blows rain down, as his merciless pale hands squeeze, crush, and crack. Maybe he’s going to break every bone in her body. That would take a while, but he could do it, she’s sure. Who knows how much time remains in the night. He could do it faster. Leave her a Kindred slug, like one of Elyse’s fifth-order dolls, helpless to move under its own power, just a useless lump of bruised and bleeding and broken flesh. At least the dolls get their bones removed so they can remain in some way whole. He could just leave her broken everywhere.
This is love.
He seizes her head between his palms. Perhaps to squeeze. To just push his hands together, a horizontal nutcracker with her head as the nut. Squeeze and squeeze until she cracks. He hasn’t spent as much time destroying her face as Roderick did. Perhaps he should. That’s part of her she values most, if one asked her paramour.
This is love.
Yet through it all, Celia smothers her howling Beast, throws herself upon it like a soldier diving onto a grenade to save their unit. She can’t let it get out again. Can’t disappoint him again. Can’t fail him again.
This is love.
And perhaps it is. Her broken body screams with a hundred inflicted pains, but no new ones are visited upon it. Instead, she feels her sire’s pale wrist press against her fangs. Press until they puncture, and heady vitae wells forth. Ice-cool vitae, cold as any corpse’s.
Colder than any corpse’s.
He’s proud of her, for holding the monster in. That has to be it. He’s proud of her.
This is love.
She lies broken and bleeding on the cold, wet, hard ground like a wounded animal left to die, and he kneels to feed her.
This is love.
Celia: It’s love.
He loves her.
He has to love her.
If he didn’t love her, he wouldn’t take the time to correct her behavior. If he didn’t love her, he wouldn’t care what she got up to or how she spends her time. If he didn’t love her, he wouldn’t care that she is weak.
He loves her.
And he shows it to her with every blow that he rains down upon her. Over two hundred bones in the body, and she will let him break them all if he thinks it necessary for the lesson to sink in.
Let him. As if she could stop him. As if she would stop him.
The first strike sends her reeling. She stumbles, staggers, and finally drops to the rain slicked roof. His boot upon her hand shatters phalanges and metacarpals, delicate little bones that cannot stand against the weight of his blow. Her nails chip and splinter. Her wrist fractures. Her claws come out—but just as quickly they slide away when she beats her Beast back with her own white-knuckled rage. It has ruined so much for her this evening and she will not let it take this from her, too. She will not hide in the red haze and let someone else—something else—take her punishment.
She deserves this.
She is weak.
He will make her stronger.
Pain blossoms through her body, but she does not shy away from what he does to her. She does not run. She does not beg him to stop. She does not cry, not in front of him, never in front of him. She refuses to, even when her Beast claws at her insides, even when it howls in her ears, even when it demands justice for what he does to her. She fights that internal struggle and stuffs it in, stuffs it down, stuffs it so far within herself that it becomes a backdrop to what he does to her.
With a broken jaw she can’t clench her teeth. There’s nothing to stop the noise from escaping her throat and mouth. Shame burns in her eyes the first time it happens; what must he think of her that she can’t contain the song of pain? More weakness. More failure to be purged.
Fractured fingers try to curl to stop it, but another broken bone draws it out of her, an agonized, formless whimper that drowns out the crack and grind of bone.
He wouldn’t scream if someone hurt him. He wouldn’t grunt with each blow, each punch, each splinter of bone. He would silently bear it. She searches for the ice inside of her, willing herself to become as cold as he is, to halt the noises in their tracks. Maybe it works, or maybe at some point the pain hits diminishing returns, but eventually she falls silent.
He shatters her jaw, mandible, clavicles, ribs, sternum. Her chest caves, but her heart doesn’t cease its useless beating. It swells. Through the pain, it swells. Through the agony, it flutters. Through the excruciating torture, it loves.
Do strong enough words exist to describe what he does to her? Pain. Agony. Torture. Burning, wrenching, aching. Sharp, gnawing, throbbing. She’s lost in it, drowning in it, and only his hands on her body keep her from disappearing into the red haze. Only his hands on her body keep her grounded. Only the repetition of her name reminds her who she is, who he is, who they are.
Blood drips from her useless jaw when he’s done with her. When he finally lets her fall back onto the roof she sprawls in a dirty puddle, every bit of her broken. She follows him with her eyes and he can see the apprehension, the nerves, that he isn’t done, that he will do more, and she readies herself for another kick, another wallop, another explosion of brutality against her person.
And the trust. He can see that too. It swims in the depths of her eyes, trust and gratitude and steely pride, and something softer, something like affection. But deep. So very, very deep. An endless, bottomless pool of aching, yearning, devotion.
This is love.
The final strike never comes. Wounded and helpless, Celia can only hold still when he presses his arm against her mouth; she can’t even move her jaw to bite, can’t sink the points of her fangs into his flesh, so he does it for her, cradling her like a newborn while she suckles at his wrist. The first drops don’t even make it into her mouth; it’s not until he tilts her head back that she tastes him upon her tongue, her broken jaw hanging uselessly inside its fleshy prison.
Cold. So cold. Had she expected any differently?
She sucks eagerly at what he offers her, replenishing what the Beast had stolen from her earlier. She drinks deeply, savoring the taste of him, ardor curling in her belly and spreading outward in a living ember that engulfs her. While she drinks she sends the blood to the areas of her that have been hurt the most: her fingers snap back into place, her wrist straightens, her jaw clicks. She becomes an active participant in the feeding rather than a passive doll, though she knows better than to grab at him or take more than he is willing to give.
Her fingers brush against his coat.
Her Beast is finally silent, tamed by her sire.
And perhaps even more importantly, it’s acceptance.
GM: It is love.
All she knows is death and cruelty and paranoia. But cold though his vitae is, something within it warms her to her core. It’s comfy and enveloping and makes her feel safe and whole. There’s no more doubt. There’s no more pain. There’s no more fear. There’s no more being alone. It’s the light at the end of the tunnel, and that light ends with her sire’s face. She is warm and safe and loved here, deep in her cozy place. The cozy place will be with her always. He will be with her always. She need only close her eyes, and she will be back in the cozy place, the mother’s womb, her sire’s arms snugly around her. And if there are thoughts for Roderick or Diana or Lucy or Emily, they are as bugs spattering against a windshield. They don’t understand her like he does. They are not father and lover and sire and protector like he is. That is what it is to be someone’s everything. To be everything they could ever need. Right there in the cozy place.
She can’t imagine why anyone doesn’t want this.
Celia: One by one, the collars that have been thrown on her by other people snap. The bonds break. Her grandsire, Coco, Veronica, Josua, Pietro, Reynaldo, Caroline, and Roderick.
She sees his face as it snaps. The dead girl inside of her wails at the loss; they were meant to marry, to bond each other, to be happy. Tiny fists beat at the inside of her rib cage, venting ineffectual frustration and heartbreak. How could she do this to Roderick, that dead girl cries, how could you? She had one good thing and now it, too, slips away.
Her heart cracks.
His blood binds it back together. It fills in the gaps and chasms that Roderick leaves behind. He fixes it, enveloping her in warmth.
She chose this.
She wants this.
Roderick will never understand her like her sire does. She has to lie to him constantly, hide the core tenants of herself, deceive him about who and what she is. Donovan demands no explanations when she carves someone apart or ends their life; he just wants her to be strong, to be better, to be great. He chose her.
He chose her.
It means everything.
His blood courses through her. It kills everything else in its path, destroys every part of her that had ever belonged to anyone else. She’ll wear the masks, she’ll pretend, but nothing will ever come close to what it feels like to be wrapped within the comfort and security of his arms. No one will ever be able to pry her away from him. They can’t force her to betray him. They can’t make her work against him. The bond is a punishment, but it’s no prison.
Celia rises, body returned to its pristine condition. He broke her, rebuilt her, saved her. Gratitude thrums through her in the wake of his blood. Her mind opens to him again, one final thought she would share this evening if he’s listening.
GM: He is the only one who truly listens.
Celia: :: The Malkavian. ::
Elyse’s face swims in her vision: pale and porcelain with painted on freckles, a living doll. Essential to Jade’s operation, or at least a portion of it.
She asks if he will wake her. If he will lie to conceal the truth. If he will use his position as regent and sheriff to plant the falsehood Celia had sent him earlier, the lie that turns setback to scheme and protects the nature of their relationship. It explains away his presence. No one will ever know that they are more than sheriff and harlot. He binds someone further to him. It benefits them both, this small thing.
GM: A single, cool word echoes through Celia’s mind.
:: Foolish. ::
A supporter of the French Quarter lord’s who attempted to slay one of his vassals would never leave the parish.
Not if he caught them.
Jade knew this and fled with her rescuer, whose face the Malkavian’s creations did not see. It is too coincidental that the sheriff and his agents would have noticed Jade’s flight, apprehended her, extracted the story, spared her unlife, and done it all in the remaining hours before dawn.
He will wake Benson. When and if others bring her torpid body to him, and explain to him what has transpired.
Celia can hear it in her ear. A too-familiar voice that tries to pull her out of the cozy place.
Celia: Just like that, her hope of an easy reparation vanishes.
She had told Key she was going to call someone to help, someone to wake her. She had been in the bathroom with Elyse, no dolls in sight, no one to report that she had never used her phone. It had been in her hand when she had left the room to find Lucy on the ground before the dolls attacked. She remembers tucking it back into her pocket so she could use her hands for the doll. She could have made the call.
But if he thinks it has no merit then it has no merit.
The familiar voice knocks at the entrance to her bubble. She closes her eyes against it, keeps it from taking root. Not here. It will not bother her here.
She doesn’t know what to do with Elyse now. If it’s better to stay away or push to fix it immediately. How could she just leave her friend lying naked in the tub like that?
She tells him that she understands.
GM: Were he nearly slain by an adversary lost to their Beast, he would slay any underling pathetic enough to entrust that same adversary to awaken him.
Key will not care what calls she has made or not made.
The ghoul will exercise his own best judgment on how to revive his mistress, if her sire has not already sensed her near-destruction and arrived to investigate.
The too-familiar voice whispers in her ear again.
Celia: Another knock on the door. It’s harder to ignore this time.
A tutor had once told her that it’s okay to be wrong in front of the person who is meant to teach her. That they’re guides and will correct her if she takes the wrong path. She thinks he might have never met the sort of monster to whom failure is not an option; she thinks he might have never had a figure like Donovan in his life, who expects her to be her best at all times. His admonition almost makes her flinch.
All the same, she’s grateful for the correction and explanation.
GM: :: You have struck her. ::
Then, Celia tastes blood in her mouth as her nose gorily crunches in, re-shattering the just-healed bone. Her vitae drips from her sire’s fist.
:: She will strike back. ::
What would she do if she were Benson, and the Kindred who struck her elected to ‘stay away?’
The companion who mauled her nearly to death for showing a tape of a favorite doll?
Celia: Pain explodes across her face. Her head snaps backwards; blood drips from her freshly broken nose to stain her skin and lips. She makes no move to wipe it away or reset it. The lesson needs to sink in.
Strike back, as he said. Find out what made Jade react that way to that doll when she has never had any trouble breaking women to turn them into dolls before, when she has shown such talent for it. Find out and use it.
Maxen, Logan, and David are safe behind the walls of Audubon. But Diana, Emily, Lucy, even Sophia… and Celia herself.
They make such pretty little targets. Fragile, defenseless, one of them already trained.
Her mother is once more cast as the damsel, caught up in her daughter’s world. Maybe another city is the best thing for her.
GM: She seems happy enough to get back together with Maxen. Who seems just as happy to make Baton Rouge his new home.
Celia: She had been avoiding the thought. She does not want her sire to see the dinner she had with her father, does not want him to think that she interferes in his plans.
But it’s there in her head.
GM: :: Key will take his mistress to me, as her regent. Her sire’s choice, should he recover her, will depend upon his inclinations. ::
The Krewe of Janus’ leader carefully tries to avoid favoring either bloc of the Sanctified.
But most Kindred believe his personal temperament is far more in line with Savoy’s.
Dawn, however, is fast approaching. Celia will have to act soon if she wishes to avoid Sol’s burning eye.
Celia: If Elyse’s sire sensed the attack and has already arrived on scene there isn’t much she can do. She wouldn’t trust the lick that attacked her childe; most wouldn’t listen to what they had to say before sticking a stake in their heart to let someone else sort them out. And why would Harlequin take his childe to Savoy when one of Savoy’s was the person to attack?
Had she just inadvertently driven a wedge between the pair?
The thought pops whatever is left of the cozy feeling she had enjoyed only moments ago. Maxen’s whispers win.
She doesn’t want him in her head anymore. She doesn’t want him to hear the voice that won’t leave her alone. She doesn’t want him to see the desperation in the half-baked plans that flick through her mind to fix this before she loses Elyse forever. She doesn’t want him to know that she’s lost on how to salvage this, or that she’s afraid to go back into the house again because what if all of those things catch her. She doesn’t want him to see that the thought of being stuck in the sun paralyzes her, that she can’t spend the night elsewhere because she needs to talk to Roderick, needs to go to this dinner, needs to meet with her grandsire on Monday, and if Diana is picked up then she won’t make it to dinner and then Celia will have to explain who she is on their terms instead of hers and what if her family is just a loose end now, what if he expects her to get rid of them, what if he gets rid of them?
He knows what they mean to her. Knows they’re a weak spot, an easy target of enemies. But he uses them, too, to keep her in line. It’s not something she can afford to think about right now. She has to trust him. She does trust him.
She’ll set a guard, she’ll—
None of it will matter if Harlequin or Elyse really want to get to her. The parish lines don’t matter to the Regent of the Masquerade.
She has to move them. Move them, send a message to Elyse, beg for a chance to explain, balance the social scales. She already knows how she’ll do it.
It will be okay.
It has to be okay.
Her eyes find her sire’s, the storm inside of them finally settling into an icy chill as her panic subsides when she settles on a course of action.
:: Thank you, sire. For tonight. The lessons. And for… for saving me. Thank you. ::
There’s more. There’s always more she wants to tell him, ask him, discuss: the trick with the blood, Savoy, Maxen, the future, their future. But the night draws to a close and she has taken enough of his time this evening.
She doesn’t know when she’ll see him again. The thought shouldn’t hurt as much as it does. If he were anyone else she would reach for him, tell him that she loves him, kiss him goodbye. But he’s not someone else. He’s him.
GM: He’s him.
Just like that, he streaks into the night sky, a darker spot against so much black.
Then he’s gone, and the only answer to Celia’s thanks is falling rain.
Sunday night, 13 March 2016, AM
Celia: There’s no time to dither on what to do. No time to run downstairs to tell Roderick the problem. No time to even gather any supplies. Her hands blur across her face to set her features into the right visage—it’s painful, made worse by the broken bones that she can’t even set properly because she doesn’t have the blood to spare, her greedy Beast had stolen it from her after her sire had fed her as a petty act of revenge for standing there and letting him hit her—but within a moment the process is over. Her entire body twists and shifts after that, and the nighthawk she has become sweeps off into the night on silent, feathered wings. She flies for her mother’s house, everything else a distant concern to the thought of protecting the woman who has already known so much pain in her life.
GM: The nightjar’s flight takes tortuously long until Celia swoops down over her family’s home. She sees Diana outside, bundled up in a raincoat and leaving the house with a miserable but resigned expression.
She locks the front door, winces, then trudges through the rain on foot, heavily favoring her good leg.
Celia: That’s not what she expected. Where the hell is Diana going this time of night?
Celia tucks her wings into her body and dives, slowing her descent only when she’s leveled off a handful of feet above the ground. A fence provides the cover she needs to change back; she hurries forward after the woman.
GM: Diana almost jumps out of her skin at the exclamation.
“Oh, h-hi, sweetie.”
“What are you doing here, so early…?”
Celia: “Where are you going?”
GM: “Oh, I’m just out for a walk… I was already up, and to give myself a little time to rest before church.”
“Sweetie, what are you doing here so early? You’re soaked to the bone!” she exclaims, looking over Celia’s clothes.
Celia: She’s also bleeding from her face with a broken nose, but bless Diana for being worried about her daughter catching a cold with wet clothes.
“You’re lying to me,” Celia says baldly. “You were going somewhere. Where?”
GM: “Why don’t I get, get you in and make some hot cocoa, you can borrow some of my clothes… you can stay for breakfast, too, it’s been forever since we had breakfast…”
Celia: “Is Emily inside?”
GM: Celia’s mother shakes her head. “She’s with Robby, she spends a lot of her weekends with him,” she says, wincing as she limps closer.
Celia: Diana was going to leave Lucy by herself while she went to do… something?
Celia purses her lips.
GM: “Oh my god, sweetie, you’re bleeding!” she exclaims, her face a mask of shock.
Celia: That makes it easier, though.
GM: Diana takes off her hooded pink raincoat and fastens it around her daughter. She’s wearing a nice, semiformal dress underneath. Church clothes. “Oh my god, my poor baby… let’s get you inside, we’ll call Emily to come take a look…”
Celia: “No,” Celia shakes her head, “leave Emily, don’t bother her, I’ll get it looked at later. We need to talk. Get Lucy. We need to go. Now.”
GM: “My poor baby… you’ll catch cold…” sniffs Diana, only half-seeming to register Celia’s words. It’s as the kine woman gets close to her, fussing over the coat’s buttons, that Celia really breathes in her scent. She’s so warm. So loving. So weak. Exactly what her kind mean when they use the word kine.
And her Beast is so, so hungry…
Celia: It’s her mom, Celia all but snarls at her Beast. She beats it down, stuffing it deep inside of herself where it can’t cause any damage, where it can’t get out to ruin yet another thing for her. It’s the Beast’s fault she’s in this fucking mess; she’s not going to let the damn thing make it worse.
Celia yanks away from her mother. She’d rather be rude than a murderer.
“Stop,” she hisses through her teeth. “Listen. To. Me. I just beat the shit out of the girl who turned you into a doll and she is going to send someone for you so go get your daughter and let’s fucking move.”
GM: Diana stares at her for a moment, then starts crying.
“It’s… it’s okay… that won’t happen…”
“Lucy’s safe… she’s going to be safe…”
“Your coat’s not on… let me finish… you’ll catch cold…” she fumbles for the buttons with trembling fingers.
Celia: Celia, once more, yanks away. She takes a handful of steps away.
“Mom. Fucking. Listen. Okay? I literally do not have time to argue with you. Either stop the half sentences or get a move on and get Lucy. And don’t come near me.”
GM: “B-but baby, your coat… you’ll catch cold… let me finish your coat, let me get you inside… oh, sweetie, I love you so much, you’ll look after her, you and Emily…” She advances forward and tries to embrace her daughter.
Celia: There’s no time for this. Maybe if she was just hungry and didn’t have the sun about to burn her to a crisp. Or maybe if she was just running out of time. But not both. She can’t fight both.
She dips around her mother’s arms once again and finally does it.
She snarls at her mother.
She pulls her lips back from her teeth to expose long, sharp fangs in her mouth.
GM: Diana’s face blanches. Her eyes go wide.
Oh, the fangs might be enough.
But the snarl emanating from Celia’s throat sounds like nothing out of a human throat. It sounds like nothing out of most vampire’s throats, not with Celia as ravenous and on edge as she is. There is no mistaking that hellish sound for anything even remotely human.
Diana stops trying to hug her daughter.
“C-Celia…?” she gets out. “What…”
For a moment, she just dumbly trails off.
Then she just points.
Celia: Once the woman has finally stopped trying to fucking touch her, Celia lets the fangs fade away.
“Yes. There’s a lot we need to talk about. And we have very, very little time to do it.” Not enough time to get to a hotel to talk. Not enough time to book a room, check in, put the card on file, not before the sun rises. She’ll send her mother with Lucy by themselves once they’ve had this talk.
And she’ll… risk being here today when and if Elyse or Harlequin send someone.
She’s dead. She’s dead, that’s pretty much all there is to it. She’s dead as fuck. All sorts of dead. Really dead this time, not just fake dead, not animated corpse dead, not vampire dead. Truly dead.
“Inside,” Celia says, pointing at the door. “Inside, Mom, so I can explain. Please. And stay… back. Ten feet. At least.”
GM: Her mother’s mouth hangs open for a bit.
Then, falteringly, she nods.
She limps forward and unlocks the door.
She walks in first, looks uncertainly back at her daughter, then leaves the door open and strides backwards.
Celia: Celia swallows the lump in her throat. She doesn’t know how everything had unraveled in one night, or what she’s going to do now. But she’ll figure it out. She always does.
She follows her mother into the house and closes the door behind her.
“We need a room without windows,” she says to Diana.
GM: A furious hiss immediately goes up. It’s Shadow. The calico, so named for her dark markings. Her tail is bushed as thick as a beaver’s as she bares her teeth and slowly backs away from the superior predator.
But Celia barely hears the sound. Barely sees the cat. All she feels is the torturous thirst. All she smells is blood. Poor blood, tofu-like blood, but still blood. Coursing through the feline’s tiny body with every pump of its heart.
“Shadow! Shhh!” her mom exclaims, scooping up the cat. Shadow yowls and claws Diana’s arms.
Celia: Celia can’t even be bothered to hide her contempt for the cat. She starts to snarl at it, too. The Beast starts to appear, rearing its ugly head again. Again. Again. It won’t leave her alone. It’s supposed to be gone. It’s supposed to be tamed.
Is this what she gets for even thinking that? Is this what she gets for sleeping around on Roderick, for killing that girl, for letting Josua fuck her, for letting down her grandsire, for beating the shit out of Elyse?
That a cat, a fucking cat, is going to make her lose her shit in front of her mom and kill the bitch?
Celia clamps down on the thought. She doesn’t move. She summons every single bit of herself that she can, forcing the Beast back into the cage in the middle of her chest where it can’t cause more problems for her. Its nails rake at her insides, snarling, itching to get out. There’s blood inside of it. Weak, shitty blood, but blood all the same. The stupid cat hissed at her, they should destroy it. Drink it.
But Celia wins.
Celia has to win.
Because if Celia doesn’t win then she’s going to destroy her mother, and everything she has ever sacrificed for her will have been in vain.
Tight-lipped, she orders the woman to get rid of the cat, to contain the other one, and to lock the door to Lucy’s room so there are no more surprises.
GM: Diana quickly hurries away with the still-scratching cat. Celia hears several pained “ows!” before it hits the floor unceremoniously and bolts off down the hall. Diana’s mother turns around and rubs her leg, but doesn’t come any closer. Her face is pale and she’s looking straight at Celia’s.
“Ah… her door doesn’t have a lock, sweetie, I’m sorry…”
Celia: Celia uses the time to send a text to Alana. SOS. 911. Mom’s house Now. She sends a similar text to Randy.
Of course Lucy doesn’t have a lock on her door. Diana wouldn’t do that to her; she’d seen Celia, Isabel, and the others locked away often enough after annoying Maxen to not want to do it to Lucy.
“I don’t have a lot of time to explain,” she says to her mom once the woman turns again. “If you hear Lucy get up you need to keep her away from me.”
Her eyes study Diana’s face.
“You don’t seem surprised. Surprised it’s me, but not that people like me exist.”
GM: There is a buzz from Celia’s phone, but not from any of her ghouls. It’s from Roderick.
Getting late. We still on?
Celia: Fucking. Fuck.
No. Thing with fam. Let yourself in. Will explain later. Love you.
GM: K. Love you too.
Diana nods slowly at Celia’s first statement.
“The cats… they’re so sweet, normally… but never around you…”
Celia: “No. And I don’t eat. And you don’t see me during the day.”
GM: “I… I do see you eat, though…” her mom says.
“Do you want some… hot cocoa, sweetie?”
She gives a pale smile.
Celia: “It hurts to eat,” Celia says by way of explanation. “I can force it, but… Mom, I’m happy to explain all of that later. I really am. But we need to talk. I’m going to be a corpse in about twenty minutes.”
GM: “Wh… a corpse…?” she asks, concern clouding her eyes.
“Oh. The… the sun. The sun hurts?”
Celia: “The sun hurts,” Celia confirms. “I lose my… animation, or whatever it is that keeps me walking around.”
She doesn’t take a breath. They never do anything for her anyway. But she wants to. She wants to just be normal.
GM: Her mother swallows. “I’m… afraid the rooms all have windows, this isn’t a big house… but there’s my bedroom closet, or I could wrap you up in a lot of blankies, and cover the windows too…”
“You know, pull the shades, maybe duct tape some blankets or clothes over the windows…”
Celia: At her mother’s offer of protection her composure cracks. She blinks back bloody tears.
“How d’you… how d’you know about..?”
GM: “Oh… is that wrong?” her mom asks, her face flickering. “Would that not be enough…?”
“That’s just how it is in the movies, you know, when Peter Cushing pulls away the curtains, and Christopher Lee starts to burn up…”
Celia: “You just… you’re just… casually accepting that I’m a vampire.”
GM: “I… there’s just… there’s just a lot of things in the world, baby… strange things, that… I don’t know, you said with Max and a demon…. and… well… ah… your…”
She points at Celia’s mouth again.
There’s a pause.
“I thought maybe you might have had experience with us. You were named for the goddess of the hunt, and all. It wasn’t very subtle on Payton’s end.”
GM: “S… sorry…?” her mom asks confusedly.
“I think she just liked the name, sweetie…”
Celia: “Right. Okay. We’ll talk about that later. But… listen. The girl who did what she did to you. She’s like me. And she and her friends are very, very angry at me because I kicked the shit out of her. They’ve already tried to kill me.” Celia doesn’t gesture at her broken nose, but the evidence that she’d been in a fight resides on her face.
“I need you to book a room somewhere, or get out of town, or something. Just for a day or two. Call off work on Monday, tell them you’re still not feeling well.”
GM: Diana’s lip quavers.
“They… they called here, Celia… I have to go back… they said they’d take my granddaughter, take Lucy, if I didn’t come back…”
Celia: “They called you again?”
GM: A frown briefly downturns her mother’s face, as if wondering how Celia knew, but it barely has a chance to form before a renewed look of abject hopelessness washes it away.
Celia: “I was there when she called you,” Celia says quietly, “that’s why I kicked the shit out of her.”
And it had felt great.
She might feel bad for it, but Elyse had certainly deserved it.
GM: “I… I have to go back…”
“You’ll look after Lucy, please, you and Emily…”
Celia: “You don’t. If you go back, they’ll kill you, and Lucy, and me.”
“That’s what this is. They’re mad at me. I need you to not give in to this. I will keep you safe. I promise you that. I have done it for years. Please, Mom, please trust me.”
GM: Celia’s mom hangs her head, sniffs, and wipes at her eyes.
“I’m such a bad mother… I’ve never, never kept you safe… that’s supposed to be me…”
Celia: “You just offered to wrap your vampire daughter in blankets to keep her safe from the sun.”
“That’s a great mom.”
GM: In spite of herself, Diana gives a low laugh. It’s half-sobbed, and more than a little desperate, but the laugh is there.
Celia: Celia answers that with a weak smile of her own.
“I’m sorry that I don’t have time to tell you everything. I will. Once this day is over, I’ll tell you what I can. Okay? Tonight. I promise.”
GM: “Okay… just… tell me what to do, sweetie.” Her mother closes her eyes for a moment and slumps her shoulders.
“Just tell me what to do.”
Her voice is calmer at those words. They’re comforting words.
Celia: So she does.
Sunday morning, 13 March 2016
Celia: There isn’t much to explain, in the end.
Despite Celia’s penchant for overly-complicated plans, and despite the fact that she really, really wants to see Roderick today, her family has to come first.
She tells her mom, very casually, that she is going to smuggle Celia in a blanket-covered cat carrier to Randy’s house. She explains that Randy knows what she is, but that she can’t let them know that she also knows, and Lucy definitely can’t find out because there are rules and they will all be killed for it. Lucy can watch TV today and hang out with Rusty and Reggie and Randy while Celia sleeps the day away in one of their beds (or closet, literally whatever), cuffed.
She sends another text to Alana to tell her to meet with Randy today, to avoid the usual hangouts, that it’s urgent. She cancels the call to go to her mom’s place. And then a text to Dani with the new address (Randy’s house) and that shit hit the fan and she needs to get there now. And a final text to Mel to alert her that Dani is moving locations, and the new place.
Coded, of course.
She thinks she has all of her bases covered.
Emily, she tells her mom, needs to stay with Robby today.
GM: “All right, so… you want me to stay with Lucy, Randy, and his brothers?” Celia’s mom asks.
Celia: “Yes. They will protect you.”
“They’re uh… they’re kind of like… you read Dracula, right?”
GM: “Ah… sorry, sweetie, only seen the movies. Should I, now?”
Celia: “Some of it is wrong. I’ll explain. But basically Randy and his brothers work for me. Like, uh, butlers.”
That’s a really nice way of putting it.
GM: “Oh, I thought they worked for the bail bond company…?”
Celia: “Yeah. But me on the side. I’ll explain tonight.”
GM: “Okay. When can we come back here, sweetie? I need a while to make dinner for the Garrisons.”
Celia: “Right. So. We’re going to reschedule.” She lets Dani know to tell her dad, too. “Because I don’t think it’s going to be safe tonight, and I’m not putting you in danger.”
“Unless you want to do it at their house.”
“Honestly, Mom, if you want something to do today, I’m pretty sure that Reggie and Randy would love you to cook for them.”
GM: Diana looks apprehensive. “Stephen’s dad is an important man, Celia! We should give at least a couple days’ notice, for something like that.”
“I don’t know that Randy would be a good guest, to be honest. He didn’t know Stephen, I don’t think, and this is probably better if it’s an intimate affair…”
“And, well… he’s a nice young man… but I feel like he might, I guess we could say, care about housekeeping a mite less than I do…”
Celia: “So. Dani is going to come meet us there. Why don’t you discuss it with her? See if her dad can move the date. I just really don’t want to risk them finding you.”
GM: “Oh. What’s she doing there, sweetie?” Diana asks.
Celia: This is very quickly spiraling out of control. She’s not sure she has enough fingers to plug all of these holes.
“Long story. Tell you later.”
GM: “Okay. She’s a sweet girl, by the way, I taught her in my dance classes.” Diana gives a brief smile at the normal-sounding topic.
Celia: “She really liked you,” Celia says with a smile.
GM: “Oh, that makes me happy. I’m sure we’ll be able to have a wonderful dinner together. Maybe she can ask her dad to reschedule, for us, and he’ll take it better from her.”
Celia: “That was my thought, too.”
GM: “How am I, ah, going to get you to Randy’s place in a cat carrier, sweetie?”
Celia: “So, uh, fun fact: I can turn into a cat.”
GM: Her mother blinks.
“Please don’t freak out. And please don’t let Lucy pet me. Not right now. Later, she can. But… not tonight.”
GM: It’s so easy to spend time just talking with her mother.
It’s so easy to just be honest.
To finally drop all the lies.
It’s so, so easy. It’s such a relief. A balm upon her ravenous Beast. A cool cloth against the terrible thirst burning her up inside.
But time and tide wait for no man.
Nor does the sun.
The curtains around the house’s windows are un-drawn. Faint rays of early dawn light kiss Celia’s skin, leaving it blackened and sizzling.
Celia: For two seconds, Celia lets herself get distracted.
For two seconds, Celia thinks of a future where she doesn’t have to lie to her mother, where she doesn’t have to force down dinner, where she can say things like, “Stephen is like me and we’re back together and I want to marry him,” and “my sire finally accepts me,” and “Mom can you rub my belly?” She can tell her mom everything she’s been through. She can fix her leg without lying about it. She can tell her why she thinks Maxen might be telling the truth about the demon. She imagines a future where her mom says, “Have you had enough to eat, sweetie?” and means blood instead of casserole.
And then reality rears its ugly head. Her flesh sizzles as soon as the morning sun streams through the windows. Immediately her skin turns black, epidermis seared beneath the hateful rays of dawn’s touch. Celia snarls, Beast rising to the surface, and for a moment girl and Beast are in alignment. For a moment they work together, diving out of the path of the light to sprawl, huddled, beneath the kitchen sink. She knocks aside cleaning supplies, rags and buckets and bottles, and curls her body tightly under the space. It’s a snug fit, but she’s a small girl, and here at least the sun cannot touch her.
The fantasy of the future fades away.
She’s a monster and she has brought trouble to her family.
“Mom,” she calls out from her hiding spot, voice pained, “we need to go. Now. No more questions.” She doesn’t have much longer before the daysleep of her kind claims her. Already she’s fading. “Get the carrier. Get me into the trunk. Pull into Randy’s garage to get me out. Make sure they cuff me before they wake me. Tell Dani to reschedule dinner. Go. Now. Go.”
GM: Diana gasps, “Sweetie! Are you okay!?” and drops to her knees in front of Celia’s hiding spot. She tries to reach inside until her daughter grits out instructions.
“Ah—would a suitcase or picnic basket be better? Something the sun can’t shine through? They’re a tighter fit, for a cat, but the carrier has holes in it…”
“I could get a blanket over it, it just seems a little less secure, since it’s a pretty big carrier, and we use one meant for dogs, since most kitties don’t actually like the normal carriers…”
Celia: “Anything without gaps. Suitcase is fine.”
Go, she urges the woman. Go. Now.
GM: “Okay! Sit tight!” Her mother scrambles off.
She returns with a pink backpack that has stars and a unicorn on it. “Ah, this is Lucy’s, I wasn’t sure where I’d left the suitcase, but this doesn’t have any gaps, so long as we keep it zipped up…”
Celia: It’ll do. Celia gives her mom a grateful smile and a word of warning before it happens—she changes. Her body twists, muscles and bones and organs reworking themselves within her to make her smaller, more compact, feline. She grows fur, a tail, ears that sit at the top of her head. She scoots into the backpack and settles uneasily amongst the pencil shavings and cough drop wrappers at the bottom of the bag.
GM: Diana still gives a start and little gasp of alarm. Actually, more like a big gasp. She drops the backpack at first, then picks it up and holds it open. She zips it up once the cat’s inside.
“Ah—are you okay, sweetie?” she gets out.
Celia: A meow comes from inside the bag.
GM: “Okay, I’ll—take that as a yes,” Diana says with a weak chuckle.
“But… you really are? One meow for yes, two for no, you are okay?”
Celia: Celia the cat meows once to let her mother know that she’s okay.
She’s been through worse. Way worse.
GM: “Okay, that’s… good. I’ll pack some clothes to bring with us, yours are… ah, they sort of…” Transformed with her. “…well, they were soaked anyway.”
“Should I still really hurry, now that you’re safe from the sun? One meow for yes, two for no?”
Celia: A single meow comes up from the bag.
GM: “Okay, I’ll just, just grab what we really need. Sit tight, I’m going to lift you up.”
Celia feels herself getting lifted into the air, then her mother’s back pressing against her.
There’s movement as the woman starts off through the house. Uneven, with her still favoring one leg. Celia hears a door opening, then a closet, and the sound of her mom going through clothes and picking some out.
“I just love how we’re about the same size, you know, sharin’ clothes is something every girl and her mother should get to do.”
Celia: Within the confines of the bag, the cat—does the cat have a name? Cats should have names—curls in on herself, head beneath her paws. Her tail flicks. There’s not much for her to do but wait while her mother gathers what she needs. She doesn’t breathe if she can help it; like all kids, Lucy just tends to stuff things into the bottom of her backpack and forget about them.
Silently, she tells her mother to hurry the fuck up like they’d literally just talked about.
GM: “Oh, here’s the suitcase, silly me.” Celia hears her mother gathering up assorted things, tossing them inside, then making her way to Lucy’s room. Celia hears her opening the girl’s dresser and throwing clothes in.
“Hey, little Goose. We need to go,” her mom says.
The cat feels its position shift.
“Come on, sweetie, let’s get you in your shoes. Your glasses, too. I’ll tell you more in the car, okay? We’re taking a little trip.”
“Mmm… I’m sleepy…”
“Okay, I’ll carry you.” Celia feels Diana bend again, then a sudden weight fill her mother’s arms. “We’re gonna spend the day at Randy’s, won’t that be fun?” she says as they walk out.
They make their way down the hall, the luggage case rolling along behind them. Diana bends again, then tells Lucy, “Hold on to your shoes for me, okay Goose?” as she opens the door. Celia doesn’t feel the dawn’s burning rays from within the backpack, but it’s still like getting into a car that’s had its doors and windows closed for hours on a hot summer day.
The car door opens, followed by the sounds of Diana helping Lucy into her booster seat. The backpack comes off next. Diana gently places it on one of the car’s seats. More doors open and close, then Celia hears the engine’s ignition, followed by movement underneath her.
“Why’re we goin’ to Randy’s…” mumbles Lucy. “I wanna go back to bed…”
“We’re a lil’ sleepyhead, huh?” smiles Diana. “Okay, sweetie, you can sleep when we’re there. That’ll be fun, won’t it, to sleep someplace new?”
“I wonder, how many places have you gone to sleep outside our house? Isn’t that an interesting lil’ question? Can you count how many?”
“Uh… not a lot…” yawns Lucy. “We sleep at home…”
“Oh, that makes this an adventure then, Lucy Goose!” exclaims Diana. “Lucy the explorer, fallin’ asleep someplace brand new!”
The six-year-old yawns again. She’s far from the only one to feel tired. The sun can’t be fully up, because the cat isn’t a corpse yet. Its eyelids just feel heavy.
“Brand new adventure for us all…” their mom murmurs.
Celia: Almost halfway up is enough to keep the cat in the bag. Any other day, if she weren’t hungry and maybe if the windows were tinted, the cat would loose a string of meows to alert the little girl in the front seat to its position in the bag and let the six-year-old cuddle with her. They could fall asleep together, child and cat, and wake up in a new place.
But her hunger and the sun keep her alone in the dark.
Her daydreams will have to wait.
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Emily Feedback Repost
So I’m going to copy over what I had written for the last log before I realized you chopped the scene:
So from an OOC perspective, I think I only had like one Athletics roll here to get away and got something like 4S on it, which I thought was okay. And then you asked me to roll Resolve / Composure and I assumed it was for a frenzy and I spent literally every single bit of XP and WP and Hunger / Stains I had to not Botch that. My roll was like -2S, which was awful. I kept thinking, “it’s a frenzy roll and I can’t frenzy because then I am going to destroy the dolls.” I kept thinking about the Toreador Guilds page and how the destruction of art is like the worst thing ever and I didn’t want to destroy the damn dolls because then Elyse would definitely never forgive her.
And I took it up to 5S and didn’t frenzy.
And then you said “Too slow” and the dolls overwhelmed her.
And I was fucking livid.
I didn’t say anything to you, but IRL I was like “ARE YOU FUCKING KIDDING ME” because I had just spent everything I had on this last desperate bid to get out and then you say she’s too slow and I’m like “Fucking no. Fuck you. Fuck this. One roll to escape? Really? What the fuck.” And you’ve told me not to bitch in the middle of scenes so I didn’t, but holy fuck was I pissed.
And then Donovan showed up.
And I was like, “oh.”
And then I was like, “oh that’s hot.”
And then I was like, “what a roll to spend all my resources on.”
And then I was like, “save me daddy.”
And he did.
Good choice of quote for the top.
I think the beginning post here feels rushed. I enjoy it, and I enjoyed writing it, but there’s a rushed quality to it as I read that I don’t know if I love. Honestly though it was a lot of fun to write; I really enjoy getting into her head and talking about how she’s essentially broken because she’s wearing too many masks. I thought it also played up the Stains / Hunger I took in boosting the roll, though it shows up as insanity rather than Corruption; it’s very desperate, like this is her last bid, last attempt at freedom. And he comes for her and she finds herself in his arms again.
She knew she was in trouble. She knew she’d disappointed him. She knew he was in her head. And then she gets bitter and petulant anyway. I was amused by my own choice to go in that direction. Not even a toy; at least you play with toys. So true.
Pretty sure he lied to her here despite the very high Empathy roll I had. Not in like a “he outright lied” way, but in a “Celia phrased it wrong so he technically wasn’t lying” way.
I am curious what would have happened between the pair if I had not asked you to pause when I did to formulate a response. I was still mostly asleep and saw your post at like 4am, and then at like 8am you kept going and I was like “Whoa whoa whoa wait a minute, I’ve got a response here.” I think, based on you saying “He’s there” and prior times saying that he probably would have dipped.
I had a lot of fun with the “journey into her mind” thing. I’ve always had kind of this vision for a “Mindscape” where you have some control over what’s going on in it, and we’ve seen it with Celia before (in the Christmas piece I wrote where she invited him in and was basically floating on a piece of ice in the sea), and then this time I wanted to bring him down below the waters. There’s been a few mentions of Celia being “water” to his “ice” (I think also fire to his ice), but I personally think it really works. Is that pretentious? Am I pretentious? But she thinks it in that meeting with Savoy and Preston, even, that she is water. And I think she’s right:
Isn’t she, though? Isn’t that why she thinks he turned her? Not because she has mastered his level of austerity, but because she will stop at nothing to achieve her goals. She is not some unstoppable force, no, not some battering ram that hits again and again and again and hopes this time her opposition shatters; she is not ice, unyielding with her jagged edges. She is liquid. She overcomes obstacles by rising above or swirling around them. She gives when someone puts their hand inside of her, nestles into the little nooks and crannies of the world around her, carves her niche out over time like the great rivers of the past. She can be as gentle as a trickle or as forceful as a tsunami. Even her form is malleable: she takes the shape of whatever container they put her in, hardens when the atmosphere calls for it, or floats on by as little vapors in the air, unseen.
The waves do not care if you cannot swim when they come for you.
Then we go into her head and it’s like, “ah yes she is literally water in here.” I didn’t plan it like that, but it feels very Celia, and she thinks a lot about drowning around him. It makes sense to me. I thought the idea of the girl he killed waiting in the cave for him was a nice touch, personally.
Also had fun writing the spilled secrets scene. I don’t really know how much more I can say about that other than it was fun. I had debated putting like actual secrets in there, but I think more I wanted to show that she has spent her time spinning her web and is now in a position to be useful, which is why it went the direction that it did.
I think the photos are out of order. No big.
I wrote that vision for Celia back in like… November? September? A long time ago, anyway, and I think I only recently shared it with you, and I thought that it fit well here. We talked about what I want her to be and that’s it. I think I’ve faltered a little bit, but I’ll talk about that more shortly.
Also like total side thought, I think it makes sense for Jade to have eyes that match her name but holy shit do I hate the idea of green eyes. They’re so over used.
Looking forward to fleshing out the dolls as we discussed. Have some ideas for them / photos to use (omg I can finally use really pretty people and you can’t stop me!). Will probably post those shortly.
There are a lot of metaphors here. I kind of liberally mixed them. The garden and its roots. The chakras, the colors, onyx and jade. The spider web, and the flies it caught. The bridge. I think it works. Does it read disjointed? Does it feel rushed?
He waits, patiently, at her declarations of filial loyalty.
So. I don’t know if this line actually fits here, and it kind of rubs me the wrong way. When the words about her loyalty came on screen it wasn’t really her telling him she was loyal, it was just that the loyalty she shows to him surrounds them. It makes up who she is, who she has always been. She wasn’t ever blatantly saying, “I am your loyal childe.” It was just a feeling in her mind, the unending devotion to him and his cause. Not a big deal but I just don’t like the line.
His storm gathers within her, then about her, and she knows its frigid kiss. I was, tbh, really unsure how to respond to this line. I think you kind of made fun of me in the OOC for my response about Celia being a dog chasing a car who doesn’t know what to do with it once she catches it, and you’re kind of right only because I was still like, “are we in her head still? How does this feel? What’s going on?” I still don’t know if he’s actually pleased with her or if he just does that sort of stuff because it’s what she wants and he desires loyalty. Carrot and stick. Maybe one night he’ll tell her.
I am also curious about if choosing both punishments got Celia any sort of recognition from him. I think it was the right call for a variety of reasons. Also he got like… really into destroying her. He was very thorough. I liked that rather than bite into his own wrist and put it to her mouth he pressed against her fangs for her. I don’t know why that stuck with me but it was a nice touch. Like he’s not going to do it for her; she’s not helpless, just shattered right now, and he still sees her as something able to fend for herself when he feeds her. Like even though he broke her she’s still not less than.
I think my favorite post was her reaction to him beating her. It’s just very like… Celia, I guess.
I assume him offering advice here is because she gained another dot of Mentor. “There’s more she wants to ask: the trick with the blood” — she definitely meant the fact that he was Obfuscating hard tonight.
So, before we get into the Diana portion of the log, I think that you and I talked a little bit about this already but it feels like Celia has kind of lost her sense of direction. I’m not really sure what to do with her now that the foundation has been laid, I guess. I don’t know if that makes sense. Like obviously there is a ton to do, I just feel like I’m stagnant rather than moving forward. Something to discuss via DMs, I guess.
Did not expect Diana to be awake / on her way to turn herself in. Thought I’d have to wake her up. Glad she was up.
Hard to reread this scene because of how I know it goes off the rails and how frustrated I was IRL over it.
I guess, on the reread, Celia could have been more clear about things:
“Mom, I’m a vampire. I am going to burn in the sun. You and I are both in danger. We’re going to a safehouse. Pack your shit and let’s go.”
Celia: “So, uh, fun fact: I can turn into a cat.” Best line.
I told you once that I was going to write a side piece about Celia telling Diana she’s a vampire, and… Diana reacted pretty much exactly how I expected her to, which is nice. It’s pretty cool. I know there’s the “Diana is a secret/former hunter” theory going on, but I don’t know if she’d ever actually hurt Celia like that. I guess we’ll see.
I can appreciate the cuteness of the scene more now that I’m not in the middle of it and things have been relatively resolved, but man was it a fucking headache to slog through at the time. If there hadn’t been sun / Celia hadn’t been starving I think she would have been into the idea of sitting on Lucy’s lap and letting the girl pet her.
Maybe she’ll feed Shadow to Stephen so he can learn Beast Shape.
Calder Feedback Repost
Calder: Fun fact, your Athletics roll was 1S short of the DC to escape
But you had 1 dot of Mentor in Donovan
Which effectively lowered the DC by 1
If you’d been 2S short, Donnie wouldn’t have helped out
Glad how things worked out though. Donovan hadn’t shown up in Celia’s story for a bit
And your last meeting with him had ended on a pretty mixed note
This one was kind of touch and go for a while.
Glad he showed, though.
Calder: “Save me daddy”
Emily: Hey man
I thought it was hot.
Calder: It was. He couldn’t have done a more badass/“Celia swoons” entrance
Well, maybe if he’d slaughtered everything in the house
Emily: He should have
And fed her Elyse
Calder: Get all those doll Devotions through diablerie
Who knows what others she has
Emily: Probably some cool ones.
It was a great entrance though
I went from super pissed to like, “oh hello darling.”
Calder: Did appreciate you holding that in. It let us focus on the scene
And, all-too often, elements in a scene that concern a player may end up being resolved by the end of it
Emily: I would have prob been upset if only one roll killed me, tbh.
Calder: Who knows what would’ve happened if the dolls nabbed Celia?
Doubtlessly better that they didn’t though
Emily: It was a cool way to put him back into her story though.
Coming to save her from the dolls.
I spent literally every resource I had on it
All of my WP, Stains, Hunger, think I was out of XP
“If this doesn’t save me idk what to do.”
What a roll to boost.
Calder: I liked you playing up the Stains as insanity, anyway
That was good flavor
Celia fracturing really hard here
I also thought your writing here was still good
Emily: Ah, thanks.
Calder: Toy line is sad
Celia would love to be his played-with toy
Emily: Omg yes. She’ll live with him and everything.
Calder: Already been one for Veronica
She can make happy noises and everything
Emily: Doesn’t even need to fake them.
Calder: I prefer not to play that “gotcha” game of feeding misinformation to players based on phraseology. If you ask totally off the mark questions, replies will be less useful, but if questions are in a reasonable neighborhood and you roll high enough to beat the DC, that’s good enough
I thought the water metaphor was great
It fits with Celia’s long-established shtick of changing who she is to suit a situation, bending rather than breaking, but never giving up on what she wants
Emily: Makes sense that everything lies beneath the surface of the water mind
Calder: You’re right, I duplicated a pic
I should get in the habit of uploading pics as they’re posted
I liked the web description a lot too
We saw more dolls, more Alana
More of a lot
Her sire evidently liked it too
You’ve struggled finding a direction for Celia in Story 12, but I think spymaster/chameleon is a pretty solid one
She has all the skills for it
Calder: “I still don’t know if he’s actually pleased with her or if he just does that sort of stuff because it’s what she wants and he desires loyalty. Carrot and stick. Maybe one night he’ll tell her.”
Aw, so sad
Maybe one night
Emily: Doubt it. :D
Calder: Both punishments surprised me
It was very Celia
Why surprised, I mean
Calder: Why it surprised me?
In hindsight it shouldn’t have
Emily: Wanted the third stage for a while.
Thought he might like her more.
But idk if he does from it.
Calder: Ah, but he might
Higher Mentor now
Emily: Yeah but he’d have done that anyway, right?
Calder: Who knows?
Calder: And perhaps someday Celia will feel that she does, too
Will revise the “filial” post when more awake
Emily: Well like sometimes you tell me when I get benefits because of stuff like that.
So I was just curious.
Calder: That’ll stay a mystery here, at least for now
Calder: You can thank Key for Diana being awake, as you learned this log
And for being so distraught, since she thought she was leaving her family behind to save Lucy
I was very amused by the cat stuff
And wish we got to see Lucy play with the nameless cat
Calder: That’s cool you were able to predict how Diana would react
How do you think Emily would?
Emily: Think we’ve talked about this before. Disbelief until Celia proved it. Curious about the blood properties. Wants to know everything, and if Celia ever mind controlled her / etc
You are a terrible person for wanting to kill a cat
Just the worst
Emily: Cat cost me 30 XP
So fuck that cat.
Calder: Ah, with the frenzy roll
Fuck that cat.
I’m going to make her get rid of it.
Calder: Ah, how the Beast hardens hearts
Calder: I’m glad you caught that exchange with Lucy. Dialogue with young kids can be challenging to write, but one of their better areas is blunt honesty
Emily: She was really funny.
Navy: Agreed. Also, nice job Emily with the mindscape scene.
Emily: Thanks. :) I had a lot of fun with it.
Calder: Does “demonstrations of filial loyalty” feel more reflective of said mindscape than “declarations,” speaking of?
Emily: Sort of
Was meant to be like just an onslaught of thoughts / feelings / memories that she isn’t necessarily showing him but that he can see since he’s in her head.